Machine-Aquarium. Claude Monet et la peinture submergée. Amérique du nord It completes the field of

It completes the field of European exploration with the first synthesis on Paleolithic art in eastern and central Europe

a position

of supports and of themes

200 years ago

His incessant dialogue with light and matter allowed me to study his staging

Machine-Aquarium. Claude Monet et la peinture submergée. Amérique du nord It completes the field ofIt is a strange liquid diorama that envelops the visitor in Water Lilies of the Orangerie, confronted with this water of pigments like the glass panel of an aquarium. The aquarium is this machine for seeing differently, where things move as if weightless and floating, and which immediately inspires painting and the nascent cinematography with the novelty of its spectacle. Perceived by artists, philosophers and writers of the late 19th century century