The Politics of Production keyword-particularity That it is not a

That it is not a question of taste

Since the ’70s

and has become a global superpower once again

presenter of Sophie Fiennes’s three-part documentary The Pervert’s Guide to Cinema

Imaginary Relations is a cogently argued attempt to shift the terrain of Marxist theorizing about art from the domain of ideology considered as simply false consciousness to a concept of art which makes aesthetic texts sources of empirical data about the real

The Politics of Production keyword-particularity That it is not aIn the wide ranging arguments about the fundamental tenets of Marxism nothing has had greater political significance than the theoretical questioning of the central role assigned to class struggle in the process of social transformation. The Politics of Production demonstrates, brilliantly, the pivotal importance of working class struggles through a rejection of both economistic conceptions of class and notions of the working class as innately