Bonnard et la poésie d'un objet ordinaire. Archéologie généralité of infinite perspectives

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Bonnard et la poésie d'un objet ordinaire. Archéologie généralité of infinite perspectivesBetween around 1910 and the mid 1930s, a vase with a rather banal decoration of cherry branches, leaves, and fruit appeared in Pierre Bonnard's work. An object created before 1911 in the workshops of the Lebacqz & Bouchart pottery in northern France, this water pitcher fascinated the painter to the point that he produced around thirty paintingsalmost exclusively still lifes, but also a nude and two interiors. It is well known that rare objects held