Veduta. Philosophie la fin’amor

la fin’amor

paleographic description with particular attention paid to the attestations of contemporary monuments

Ten years after the publication of the work L'Ile-de-France de Clovis à Hugues Capet

Girolamo: Trimetri tragici 50-80 Jouguét

If Art Nouveau is indeed a symbol of the Belle Époque

Veduta. Philosophie la fin’amorAfter Silencio and Vestiges d'empire, photographer Thomas Jorion continues in this opus his questioning of buildings and places in ruins, abandoned by men. He traveled Italy from North to South, from Piedmont to Sicily, via Veneto and Tuscany. He returned with surprising and timeless images of residences, villas, and palaces dating from the 18th to the early 20th centuries, and long since fallen into disgrace. This forgotten heritage surprises with