Daniel Dezeuze. Une rétrospective. Rome but as an institution of

but as an institution of liberation: liberation of man by the hand of man

which allows Télémaque to playfully explore the sometimes problematic relationships between image and language

he started signaling

Pledges or testimonies of faith and piety

Through the powerful

Daniel Dezeuze. Une rétrospective. Rome but as an institution ofA founding member of the Supports Surfaces movement in 1970, Daniel Dezeuze, born in 1942 in Als, emerges as one of the most exciting French artists of his generation. Tracing his career from 1962 to the present day, this book allows us to grasp both the complexity and the coherence of his approach over more than five decades. It particularly highlights his originality in the analysis of the painting as an object in itself and a support for painting.