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Description
elle tombe dans l'oubli dès la fin du XIXe siècle
after painting Belle-Ile
in its obligatory obscurities due to the very obscurity of meaning
as he appeared to his contemporaries
portraits de Rembrandt
Pierre Alechinsky. Carta Canta. Histoire elle tombe dans l'oubli dès"Until I'm thirty, whenever I can, I'll escape from painting. You run away. Nothing prepares the painter for solitude. He did his apprenticeship surrounded by comrades. But one day, he'll have to go into a cell," stated Pierre Alechinsky in Peintures et crits (Yves Rivire publisher, 1977). His entire work, a universe of constructed, glued, assembled papers, of old papers deafening with an outdated topicality, passes from image to text in the same ink.
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