La surface et la chair: Madame d'Ora, Vienne-Paris, 1907-1957. Philosophie Volume 139

Volume 139

A fascinating

giving structuralism some of its foundations and inaugurating what would be called historical anthropology

Beyond his technical virtuosity

And that's not right

La surface et la chair: Madame d'Ora, Vienne-Paris, 1907-1957. Philosophie Volume 139What could be more exceptional in the history of photography than the coexistence, in the same artist, of practices covering apparently antagonistic fields: that of fashion and that of documentary activity? Between the recording, often considered futile, of the surface and the ornaments that cover it (choice of clothing, valorization of the beauty and glamour of the models) and that of the miseries of the world, of bodies, including in their rawest