Un lion derrière la vitre. Essais passionate about 18th-century art

passionate about 18th-century art

The gestures and the beliefs that support them date back to the ancient kingdom of Kongo

un pêcheur immortalise une énorme dorade en l'enduisant d'encre et en l'imprimant sur papier

Keys to understanding Egyptian symbols

Design in Africa does not aim to confront old and new

Un lion derrière la vitre. Essais passionate about 18th-century artFrom Venice to Istanbul, then Jerusalem, Alexandria, Sarajevo and back to Cordoba, Eric Le Brun's texts emerge and circulate between his own photographs. In the book's cover, the ancient songs and poems of Anouar Benmalek, chosen and interpreted by Emmanuelle Bunel, join and clarify the overall framework: in the vast land of the sea, in the Mediterranean, cities survive the men who create or mistreat them, like arrows launched into the passage of