Simenon et Fellini. Paradoxes et complicités épistolaires. Arts décoratifs – Arts appliqués the Musée national Picasso-Paris and

the Musée national Picasso-Paris and the Ministry of the Wallonia-Brussels Federation

The years spent under contract with the American magazine Harper's Bazaar (1934-1939) confirmed the photographer's technical and formal freedom and marked his peak in this field

Pauline HANOT

the Romanian Brancusi

there is a map of the site of the illustrations with commentary

Simenon et Fellini. Paradoxes et complicités épistolaires. Arts décoratifs – Arts appliqués the Musée national Picasso-Paris andWhat is the nature of the bond that united, for a large part of their lives, two great creators who at first glance seemed very different: the Belgian writer Georges Simenon and the Italian filmmaker Federico Fellini? It is precisely the apparent paradox of this friendship that caught Marina Geat's attention. Starting from an exchange of letters that spanned thirty years, the author's investigation expands to several aspects of the two artists'